Meet Linda Derschang

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For over 20 years Linda Derschang has been a dynamic figure in Seattle’s dining and nightlife scene, particularly on Capitol Hill.

It all started in 1994 on Pine Street, in the heart of the now thriving Pike/Pine corridor, with the beloved and quirky Linda’s Tavern. The tavern drew inspiration from the mountain bars around Crested Butte near where Linda grew up in Colorado. Located on a formerly gritty stretch of Pine Street, the neon sign in the window reads “TOOLS RADIO TACKLE.” When you step through the door you are transported somewhere else. The rustic wooden booths, neon signs, the rough-hewn planks that hold the liquor bottles, and the glowering bison head behind the bar are not the stuff of any ordinary scruffy bar. Add to that one of the best patios in the city, a crowd of talented creatives, and you’ve got a hit.

Twenty years on, it’s still hard to find an open table. The bar looks much as it did when it opened though the neighborhood surrounding it has changed immensely. And Linda, both the person and her namesake bar, have helped shape the aesthetic that makes Capitol Hill such a draw.

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A stream of very different and equally memorable places followed Linda’s: The Capital Club, The Baltic Room, Chop Suey, (she has sold her interest in these three), King’s Hardware, Smith, Oddfellows Cafe and Bar, Little Oddfellows in the Elliot Bay Book Company, Bait Shop, and Tallulah’s.

With the exception of Ballard’s King’s Hardware, all of them are a short bike ride away from each other. Each attracts an eclectic and devoted neighborhood crowd. What unites them is Linda’s unerring sense of design—whether it’s applied to the airy, elegant Oddfellow’s Cafe or the eccentric dive-bar feel of Bait Shop.

Linda has been a long-time wholesale customer of Macrina, a relationship we’re very proud of. Recently we had an opportunity to ask her a few questions.

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Each of your places feels like someone had fun creating them—that sense of  “Wouldn’t it be cool if….” And they feel authentic. There seems to be a real enjoyment of design down to the smallest details, such as the owl salt/pepper shakers at Tallulah’s. Would you talk a bit about your design process?

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The design process is different for each project. I approached Little Oddfellows very differently because it was a remodel of a business than from Tallulah’s, which was in new construction, or Oddfellows which is in a very old building. Sometimes I make up a story about the place I am designing. For Little Oddfellows I imagined a coffee shop in Amsterdam or Copenhagen perhaps. Sometimes I think of a few key terms like turn of the century mercantile.

You’re right about the loving of the details, that can be the most enjoyable part. I think when opening a business it can be easy to think that you’ll get to the little details later but I believe it’s really important to open with them to give a really finished feel to a place.

Found objects play a role in a number of the establishments. Are you always on the hunt?

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I am always keeping an eye out and over the years, I’ve ended up with lots of interesting, quirky objects that often I will keep at my home for a while before I find the perfect spot for them. Take the portrait wall at Smith – I started collecting old portraits because I kept running across them at all sorts of places, years ago they were very inexpensive and I felt that in a sense they were all orphans. I really loved using many of them at Smith. I feel that they add to the charm and look.

Where do you find so many cool signs, great used furniture, the drink mixer at Bait Shop, etc.?

I find things all over the place, including antique malls, thrift stores, and Craigslist. Cashmere, the huge cat painting in Tallulah’s, came from Kirk Albert in Georgetown as did the old Firebird hood mounted to the wall at Bait Shop. I love the stories these pieces can add to a space. 

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How has your design taste evolved over time? 

My taste and style has always been a mix of old and new and high and low. Having a mix of styles has always been very natural for me. I think traveling has definitely added to my taste, I get so much inspiration and so many ideas from other places. I went to Denmark a few months before I opened Little Oddfellows and the Scandinavian cafes I visited while I was there were so inspiring and influenced my approach to designing the space.

Do you come to a space with a concept in mind or does the space drive the concept?

I always think about the neighborhood the space will be part of. I try to create businesses that are meaningful to their neighborhoods and communities. Each one of my businesses is different from each other, but they are all neighborhood spots. That’s a common thread they share.

http://www.thederschanggroup.com/who-we-are/ for more information on Linda.

 

Panettone

panettone smallThere is hardly a more Italian way of celebrating the holidays than a slice of panettone and a flute of prosecco, a December ritual in homes, cafes, and restaurants throughout Italy. This sweet toque-shaped yeast bread stuffed with raisins and candied orange and lemon peel originated in Milan. It’s often served with a sauce of zabaglione, a custardy sauce made with egg yolks, sugar, and Marsala wine, or crema di mascarpone, and accompanied with a glass of sweet wine such as Moscato d’Asti. The name panettone comes from the Italian word “panetto,” a small loaf cake. The addition of the suffix “-one” makes it a large cake.

The origins of the cake date back to a type of leavened cake sweetened with honey and enjoyed by nobility during the Roman Empire. The cake makes cameo appearances in Italian paintings in the 16th century and is associated with Christmas in the 18th-century writings of Pietro Verri, who wrote an epic history of Milan.

But Panettone didn’t become a household item until 1925 when Angelo Motta, a Milanese baker, began commercial production of the bread. He’s credited with modifying the shape from a low, dense loaf to the tall, airy bread we know today. He introduced a natural leavening process, more like that used in sourdough, and allowed the bread to rise three times over 18 hours before baking. This produces the bread’s lightness and soft texture.

Motta’s bread was an enormous success and soon a competitor arose. Giacchino Alemagna created a similar bread, pricing his higher. The competition proved good for both brands, with Motta seen as the panettone of the middle-class, while Alemagna targeted those willing and able to pay premium prices. Today, the brands Motta and Alemagna dominate the market. Over 100 million panettone are produced by Italian bakeries each holiday season. Italy only has 60 million people! Even with about 10% of production bound for export that is a lot of panettone per person.

While commercial production of panettone dominates in Italy and abroad, many small bakeries (or le pasticcerie in Italy) make their traditional versions of the famous bread. Macrina’s version was inspired by a recipe in Carol Field’s wonderful book The Italian Baker. Our loaf is studded with candied citrus and dried fruits and enriched with eggs and butter. Nowadays it’s easy to find decorative paper baking molds, but I prefer to bake these loaves in clay flowerpots, which look beautiful and make great holiday gifts. The dough takes time and cannot be rushed, but it’s more than worth the wait. If you’re looking for an alternative to the version shipped over from Italy you can pick one up at any of our cafes this month, or find my recipe in the Macrina Bakery and Cafe Cookbook. Then grab a bottle of prosecco and invite some friends over for a very Italian holiday celebration.

Happy Holidays, Leslie

Heyday – Not Your Average Burger Joint

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In the kind of cosmic connection that makes us all smile, Gary Snyder, co-owner of Geraldine’s Counter and now co-owner of Heyday, shares a random point of intersection with that other Gary Snyder, the Pulitzer Prize-winning poet, Zen Buddhist, and protagonist of Jack Kerouac’s Dharma Bums. The publisher of Gary Snyder, the poet, is also named Heyday. Gary Snyder, the restauranteur, had no idea. He and his business partner, Dang Nguyen, chose the playful name because the space is located on Day Street in Seattle’s quiet Mount Baker neighborhood. “Names are really hard to come by,” Snyder said. “My partner came up with Heyday and it just stuck. It works.”

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Heyday is no ordinary burger joint. Starting with the interior. The space was designed by Graham Baba, the architect behind many treasured eating spots such as Melrose Market, Chophouse Row, and La Spiga. Floor-to-ceiling windows, sleek lighting, concrete floors, slotted wood on the walls and ceiling, and the use of lots of blue in the tile work that surrounds the bar and an inspired geometric mural that adorns a back wall give the space a warm, modern look.

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And the burgers aren’t the usual assortment. The menu was created by Melissa Nyffeler, the former chef/owner of the beloved Capitol Hill restaurant Dinette, which closed in 2013. The Saigon patty has equal portions beef, pork, and shrimp and is topped with Napa cabbage, fresh mint, cilantro, pickled daikon, carrots, and Sriracha aioli. Other offerings are made with lamb, bison, falafel, jerk chicken, and cod. All are served on Macrina Bakery’s potato buns and served with a side of the house-made pickles. Creative starters such as blackened cauliflower are excellent, and so are the hand-cut french fries that are deep-fried twice for the perfect crunch. The thick, crispy onion rings shouldn’t be overlooked. Another standout is the house-made pickled vegetables served with every burger and available as an appetizer.

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Snyder and crew went through a lengthy process to choose the right bun for their burgers, looking for one that would hold all the ingredients without getting soggy or being so firm that the filling squeezes out. “Originally I thought we should have a different bun that works for each burger,” Snyder said. “We sampled multiple buns from different bakeries. Macrina’s potato bun just worked, and it worked on every burger. Such a good bun. It toasts really well. We decided we didn’t need different varieties.”

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Heyday is family-friendly, with the space split about evenly between seating in the adults-only bar and the all-ages restaurant side. “We get a lot of families. I almost wish I had more room than I do. That’s the part that fills the quickest,” Snyder said.

While the neighborhood is quiet, Heyday is open late. Regular hours are Tuesday through Sunday, 4 p.m. to 11 p.m, with the kitchen serving until 10 p.m. At some point next year weekend brunch may become a reality. Keep your ears open. Geraldine’s brunch is so highly-regarded that the to-be-determined offerings will surely be worth investigating.

 

 

Behind the Scenes

sh8I’m always surprised how much goes into making one of our short videos. Patrick Kehoe, a local director and photographer, has worked with me to produce eight videos so far. We have our rhythm down. Cooking in front of a camera doesn’t intimidate me—especially with recipes I’ve made hundreds of times before—but it’s still a lot of work. I want everything to look just right and to convey the tranquility I feel living out on Vashon Island and to share my love for cooking, especially with vegetables and fruits and edible flowers I’ve grown myself.

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For our fall video I chose pumpkin pie, for the obvious reasons, but also inspired by a beautiful pumpkin in my garden. It still impresses me that this beautiful large squash grew out of one of the dry little seeds I planted in April.

On the day of filming, I woke early—baker’s hours—to get the house ready. The day was overcast, but thankfully not raining, something you can’t count on in October around here. Patrick prefers to film in natural light, so I set up my dining room table near the windows as a work table. I made two recipes of the Flaky Pie Dough from my first cookbook. Since each recipe makes enough for two crusts I’d have plenty extra, just in case. When filming you always need to be sure there is extra. You never know when you might need to reshoot something. Then I set about making one pumpkin pie in advance. Having one finished already makes the shoot go faster. When I put the one I made on camera into the oven, we were able to move right into filming the finished pie.

With my food prep finished I made sure there were eggs in the chicken coop and that nothing had happened to the garden pumpkins. Next I arranged my work table, putting all the tools and ingredients out that I would need. I take great pride in displaying ingredients in colorful bowls and using family dishes collected over the years. The final detail was to instruct my dad, who’d agreed to help, when to get the pizza for lunch. In the past, we’d worked twelve hours without eating. A terrible idea, especially when working with food all day.

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Patrick and his assistant Casey arrived punctually at ten with their bags and boxes of cameras. While Casey set up, Patrick and I went over the script I’d prepared. We broke it into nine scenes: fetch eggs from the chicken coop; get pumpkin from the garden; cut, clean, roast pumpkin; roll out the pie dough; bake the crust; make the decorative leaves for the pie with the extra dough; make the filling; bake the pie; cut and serve a slice. With only one dish—the pie—this video was easier than others we’d done.

Before starting each shot we choreograph the action. I explain to Patrick what I’m going to do. We do a dry run to see what it looks like. With our rehearsal done, Patrick sets up the cameras for the shots he wants. As we get going there are lots of pauses, lots of “stand by’s” and “go for it’s.” Often I must repeat actions slowly. Patrick stops to change lenses or cameras, working to get the best shot. He has a remarkable eye, lots of patience, and a great way of talking me through the process.

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We progressed from the chicken coop to the garden, getting the shots we needed, all with my dog Louis barking. This is life on the farm. Louis doesn’t tolerate visitors as gracefully as my other dog Jasper.  But the extra noise doesn’t matter since we record the sound last. Patrick mixes the audio with the video back in his studio.

By about noon we had the squash cut and roasting in the oven as well as the pie crust when my dad showed up with the pizza—lunch time. After a short break we resumed filming the finished pie, using the one I had baked earlier in the morning. I always fuss with the final presentation and this time was no different. I added some grapes to the plate for color, added the sweetened whipped cream, and sprinkled the plate with a mix of powdered sugar and cinnamon. Then I added one of the leaves I’d cut from the leftover dough and baked. It didn’t look right. Fortunately I had seven more slices. I nailed it on the next one—without the leaf.

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Later in the afternoon we finished filming the filling and had baked the second pie. Only the talking parts remained. Maybe because I’m tired by this point, or because I’m not as practiced at narrating all the details of what I do when I’m cooking, this is always the harder part. I create an outline. This helps me talk more authentically. Patrick is really helpful at pulling out key phrases. While we can do take after take, the more retakes we do the more difficult it feels to me. Sometimes I get too lavish in my descriptions, over-explaining the process, and Patrick has to rein me in. “This is going to be a short video,” he reminds me.

After what feels like too long, my liveliness waning, we had what we needed. Patrick and Casey packed up their gear and I worked on cleaning up the many dishes I’d created, amazed again that it had taken twelve hours to film a four-minute video. But the results were worth it. They always are.

Leslie

Click here to see the video.

Stecca

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I love the breads made by Jim Lahey at Sullivan Street Breads in New York City. He’s one of America’s great artisan bakers. He bakes most of his crusty European-style breads until they’re quite dark. They come out of the oven burnished, with an amazing crackle when you bite into them. But he also makes a few loaves with thin, light brown crusts. My partner, Matt Galvin, sampled an airy bread of his on a trip to New York – not quite baguette, not quite breadstick and not quite focaccia.  Matt suggested something like this would make a nice addition to our line of breads. I set out to create something similar but uniquely Macrina.

Stecca, a soft “sweet” (meaning not sour) baguette, is made with our yeast-risen ciabatta dough. The loaves are baked closely together, “kissing” we call it, which results in soft sides. This makes it an ideal bread for sandwiches of all kinds. It has a light, golden crust and a well-aerated irregular crumb structure. Stecca is now available in all of our cafes.

Beginning in 2016, we will begin offering a Green-Olive Stecca exclusively in our cafes. Studded with green olives, brushed with extra-virgin olive oil, and garnished with fresh herbs this bread is hard to resist.

SoCal Food Trip with Leslie Mackie

Leslie's SoCal Food Trip - Google Maps_Page_1-001Recently, Leslie Mackie migrated south. However, unlike many of the Northwest birds that head towards the equator in the winter, she stayed only for a few days. The trip, although short, was long on activities. Part bakery tour and part board meeting with the Bread Bakers Guild of America (BBGA), Leslie ventured to the San Diego area. “Pure heaven for us Pacific Northwesterners,” she commented as she described the 75-85 degree February weather.

Prior to the BBGA meeting, Leslie was joined by co-owners, Scott France and Matt Galvin for the first leg of her trip. Always looking to improve, the trio gleaned information and insights on how to work smarter and more efficiently using examples from fellow bakers. Then, she and fellow BBGA board members congregated in the charming, coastal town of Encinitas, just 20 minutes north of San Diego. Of course, they have to eat, so follow us on a food “road trip” with Leslie.

Stop 1: Bread & Cie. Bakery, San Diego. The bakery specializes in hand-crafted European breads for their café, catering, and wholesale business. Leslie was impressed by the “talented and passionate people who own and manage this bakery.”

Stop 2: Sadie Rose Baking Co., San Diego. The company provides artisan bread for restaurants and hotels with sales to the public at local farmer’s markets and in specialty markets throughout San Diego County. Leslie noted the wonderful malted brown bread and pretzel rolls, and praised the “gracious owners who provided insights on the challenges and successes” of running an artisan bakery.

Stop 3: El Callejon Restaurant, Encinitas. With a tagline of “Authentic Mexican Cuisine & Tequila Museum”, Leslie confirmed that they offer great food and margaritas!

Stop 4: Lofty Bean, Encinitas. This great coffee shop serves flavorful organic coffee from, per Leslie, “really nice people.”

Stop 5: Union Kitchen & Tap, Encinitas. Her recommendations at this lively restaurant are the “tasty flatbread pizzas and creamy grits with spicy shrimp and andouille.”

Stop 6: Darshan Bakery & Café , Encinitas. Jeff Yankellow, Darshan owner and BBGA president brought Viennese pastries and bread for breakfast each day. Leslie’s comment: “Great croissants!”

So, are you ready for a SoCal food trip? Take Leslie’s advice and eat your way around the area! When you are full, take time to relax and enjoy the beauty of the Pacific Ocean at the next stop.

Stop 7: Self-Realization Fellowship, Encinitas. According to Leslie, this belongs on your list of “don’t miss!” With its stunning coastal setting and beautiful gardens that are open to the public, it’s no wonder that Paramahansa Yogananda was inspired to write Autobiography of a Yogi.

Ommmm and yummmm.

Good Grains! It’s National Flour Month!

Macrina Bakery Flour ScoopEach year we celebrate the usual March holidays – National Pi Day, St. Patrick’s Day, and Women’s History Month, but, most importantly, we honor National Flour Month. As a bakery, flour is one of our basic ingredients, whether it’s whole grain, whole wheat, or all-purpose.

Since the beginning of civilization, flour has been the staple of cuisines around the world. When our ancestors discovered they could crush grass seeds into a powder, they dined on flat, hard cakes cooked over a fire. It is the Egyptians in 3,000 BC that figured out how to harvest and use yeast, creating soft loaves by fermenting the dough with heat from the sun.

Luckily, we do not have to grind the grains ourselves. News of this innovation traveled, Romans created watermills, and with the Industrial Age came the technology to mill the flour in large quantity. We have a handful of wonderfully dedicated millers that we rely on for our flours. One of them is Fairhaven Organic Flour Mill in Burlington, about one hour north of Seattle. Fairhaven began in 1974 as a cooperative, and since 2007, has been family-owned by Kevin and Matsuko Christenson. Leslie had the opportunity to visit the mill a while back and was taken by the Christenson’s sincere pledge to buy only locally grown, organic grains that are milled weekly in small batches so they retain as much nutrients as possible.

Macrina Bakery Flour BowlAmidst the earthy aromas of the fresh, weighty whole grain flour, the Christensons shared their passion for the farmers with whom they have continued to support over the years. It is that commitment to their craft that is most appreciated by the Macrina family. We use Fairhaven’s Rye Flour for many of the artisan breads we produce, including Vollkorn, Pane Francese, and Greek Olive Bread. The recipes for these breads are included in our cookbooks, Macrina Bakery & Café Cookbook and More From Macrina. We hope you will pick up Fairhaven Organic Flour for your bread-making needs and test out some of our recipes in honor of National Flour Month. Happy baking!